LOGOS
THEOLOGICAL
ἀναφορά (ἡ)

ΑΝΑΦΟΡΑ

LEXARITHMOS 723

The anaphora — «the lifting up, the elevation» — followed a fascinating evolution. In ancient sacrifices it described the elevation of the gifts toward the altar. In rhetoric it became a technical term — the repetition of the same word at the beginning of successive phrases. In logic and music, «anaphora» is the correspondence between elements. In the Orthodox Divine Liturgy, «Anaphora» is the central eucharistic canon — the offering of the bread and wine to God with the words of the Lord («this is my body»).

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Definition

According to the Liddell-Scott-Jones Lexicon, ἡ ἀναφορά means «coming up, rising, ascent, reference to something, report of an event». It is formed from ἀνά (up) and φορά (carrying), from the verb ἀναφέρω (to raise up, bring up, report). The primary meaning is physical: the act of lifting something up.

In rhetoric, anaphora is a technical term for a figure of speech: the repetition of the same word at the beginning of successive phrases or lines — «We work, we work for truth; we work, we work for freedom». It is one of the most recognizable figures of ancient and modern rhetoric.

In linguistics and logic, anaphora is the correspondence relation between elements — e.g. a pronoun «refers» to a noun that preceded it. In modern theory, «anaphoric expressions» are studied as a central problem of semantics and syntax.

The liturgical meaning is particularly important in the Orthodox and Eastern Christian tradition. «Anaphora» names the center of the Divine Liturgy — the eucharistic offering, from «Let us lift up our hearts» to the consecration of the Gifts. The historical Eucharistic Anaphorae (of Basil the Great, Chrysostom, Mark of Alexandria) are the most important liturgical texts of antiquity.

Etymology

ἀναφορά ← ἀναφέρω ← ἀνά (up) + φέρω (to bear)
The root φερ- (φέρω) comes from PIE *bʰer- (to bear, carry), shared with Latin fero, English bear, Sanskrit bharati. The prefix ἀνά gives the sense of upward motion — raising upward. The suffix -φορά produces an abstract noun of action: the act of lifting something up. The word is extraordinarily productive in ancient Greek and preserves its metaphorical power in all its uses.

Cognates: ἀναφέρω, ἀναφορικός, φέρω, φορά, διαφορά, περιφορά, προσφορά, συμφορά, ἐκφορά. Logical terms: anaphora, pronoun, semantic reference. Ecclesiastical terms: Anaphora of Basil, Anaphora of Chrysostom.

Main Meanings

  1. Elevation, lifting up — The literal meaning — the physical act of lifting an object upward.
  2. Rhetorical figure — The repetition of the same word at the beginning of successive phrases — one of the most powerful figures of expressive intensity.
  3. Linguistic anaphora — The correspondence between a linguistic expression (pronoun, article) and a previous element of discourse.
  4. Logical reference — The relation between an expression and the object in the world it denotes — a central theme of the philosophy of language.
  5. Liturgical Anaphora — The center of the Orthodox Divine Liturgy — the eucharistic offering of bread and wine with the invocation of the Spirit.
  6. Musical anaphora — In Byzantine and ancient Greek music, anaphora is the rise of the voice or the melody to a higher note.
  7. Written report — An official written text that reports events or situations to a higher authority.
  8. Astrological anaphora — The time required for a constellation or degree of the zodiac to rise above the horizon.

Philosophical Journey

Anaphora evolved from a literal term into a central category of rhetoric, linguistics, and Christian liturgy.

5th–4th c. BCE
Ancient orators
The first technical uses of anaphora as a rhetorical figure by the Sophists (Gorgias) and the Attic orators (Demosthenes).
4th c. BCE
Aristotle
In the Rhetoric and Poetics he analyzes anaphora as a figure of expression. It is linked with the cohesion and rhythm of speech.
3rd–2nd c. BCE
Hellenistic grammarians
The Alexandrian grammarians develop the theory of pronouns and linguistic anaphora.
1st c. CE
Pseudo-Longinus
In On the Sublime he analyzes anaphora as one of the means of achieving sublimity in rhetoric.
4th c. CE
Basil the Great
He codifies the Divine Liturgy with its central Anaphora — one of the most important liturgical texts of the early Christian tradition.
4th c. CE
John Chrysostom
Composition of the eponymous Divine Liturgy, the most frequently celebrated in the Orthodox Church. The Anaphora begins with «Let us lift up our hearts».
19th–20th c.
Linguistic theory
Gottlob Frege («Über Sinn und Bedeutung», 1892) founds the modern theory of reference. Russell, Kripke, and others shape the analytic theory of reference.
20th–21st c.
Theory of grammatical structures
Anaphora theory becomes a central branch of modern generative grammar (Chomsky), studying constraints on the syntax of pronouns.

Lexarithmic Analysis

The lexarithmos of the word ΑΝΑΦΟΡΑ is 723, from the sum of its letter values:

Α = 1
Alpha
Ν = 50
Nu
Α = 1
Alpha
Φ = 500
Phi
Ο = 70
Omicron
Ρ = 100
Rho
Α = 1
Alpha
= 723
Total
1 + 50 + 1 + 500 + 70 + 100 + 1 = 723

723 decomposes into 700 (hundreds) + 20 (tens) + 3 (units).

The 18 Methods

Applying the 18 traditional lexarithmic methods to the word ΑΝΑΦΟΡΑ:

MethodResultMeaning
Isopsephy723Base lexarithmos
Decade Numerology3
Letter Count7
Cumulative3/20/700Units 3 · Tens 20 · Hundreds 700
Odd/EvenOddMasculine force
Left/Right HandRightDivine (≥100)
QuotientComparative method
PalindromesNo
OnomancyComparative
Sphere of DemocritusDivination with lunar day
Zodiacal IsopsephyVenus ♀ / Cancer ♋723 mod 7 = 2 · 723 mod 12 = 3

Isopsephic Words (723)

The LSJ lexicon contains a total of 55 words with lexarithmos 723. For the full catalog and AI semantic filtering, see the interactive tool.

Sources & Bibliography

  • Liddell, H. G., Scott, R., Jones, H. S.A Greek-English Lexicon. Oxford: Clarendon Press, 1940, s.v. ἀναφορά.
  • AristotleRhetoric. Loeb Classical Library.
  • Pseudo-LonginusOn the Sublime. Loeb Classical Library.
  • Basil the GreatAnaphora. Sources Chrétiennes.
  • John ChrysostomAnaphora. Patrologia Graeca 63.
  • Frege, Gottlob — «Über Sinn und Bedeutung», Zeitschrift für Philosophie und philosophische Kritik, 1892.
  • Dix, GregoryThe Shape of the Liturgy. Dacre Press, 1945.
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